A combination of factors makes this place unique in the world.
In fact, it is the oldest, largest, impressive and natural open-air theater in North Europe where, at the base of the escarpment, the scene and the stage ended in water, conferring it an exceptional acoustics

Several equipes of scientists and historians have proved that this place, the Tietta's native house, became the stage for the events described in the manuscript rediscovered by the Vicentino Count Luigi da Porto, gaining fame all over the word thanks to the Shakespeare's novel "Romeo and Juliet".

Some researchers have suggested that both girls are, in reality, the same only person, who lived in the same place, but whose history was narrated by several authors and maybe misrepresented or represented with irony and, in this way, straied away from this sacred place.

From that moment, develops the hypothesis that the lake had been the silent tomb of this girl, who was an animal lover, almost a feminine prototype of Orpheus and of The Celtic Goddess,to whom Querini, inspired by the Celtic Brigit, had dedicated a sculpture, later taken away by the French in 1797 with other statues that were present in the Sacred Grove.

When you read the tragedy of Romeo and Juliet, wonderfully described by the pen of Shakespeare, it is impossible not to be attracted to them. We forget that these places were devastated by problems of political conflict and especially religious ones. Many of which were carefully avoided by the authors.

Path of the Holy Grail for the Templar Knights who, before embarking on the landing below, immersed themselves in its purifying water. The amphiteather Port of the Angels represented the Earthly Paradise on its summity.

In 1929, it often saw the officer judicial make way for a group of laborers, mostly workers affected by the severe crisis. With their sacrifice were maintained embankments overlooking the lake including the woods and vineyards.

With the exception of Lake Nemi and some other basin of Lazio, the Romans never managed to replicate the fights of Neumachia. Wherever these events were taking place, they immediately presented themselves after water problems, due to the lack of water supply. Lack of water, in fact, was a event that not even the same River Tiber was able to control.

The awakening of passion for art typical of the Renaissance, typical of the mid-1800s for buildings of the Roman era, later recovered by the fascist Architecture, was the spark to recover the amphitheater from the state of neglect in which it had fallen.